Showing posts with label Writers. Show all posts
Showing posts with label Writers. Show all posts

Monday, June 20, 2011

The E-Book Revolution

During my hiatus from blogging, I managed to keep up with my weekly writers' group meetings. I haven't done any creative writing in a very long time, but just being around my writer buddies keeps me from wallowing in the stews of anxiety. Our discussions--works-in-progress, books being read, developments in publishing--are soothing and reassuring. My own writing interests and ambitions have long been in stasis, but I enjoy their successes vicariously and I value their esteem. To the Wordsmiths group--Charles Gramlich, Laura RowlandSteve HarrisCandice ProctorRexanne Becnel, Pam AhearnMarie Goodwin--thanks for being there.

Sony Reader
E-publishing has been one of our regular discussion topics for quite a while. The increasing popularity of e-books and the resulting huge changes in traditional publishing concern us all. Our individual opinions run the gamut: Some of us have been eager to embrace the new technology (I myself own a Sony Reader and a NookColor reader); some are gingerly learning about it and trying it out; some have sworn never to read an e-book. We all are stunned by reports of huge sales of a few writers' backlists in e-book form (e.g., Barbara Freethy) and writers who became popular and successful through e-books alone (e.g., Amanda Hocking).

NookColor e-reader
The biggest change that e-publishing works is that many authors e-publish without a traditional publisher. They are self-published or, as it's coming to be called, "indy" published. This wreaks havoc with the financial aspects of the publishing business. Established publishers don't earn money from authors' self-published works nor, in most cases, is there an agent involved. One of the members of my writers' group is an agent, so this directly affects her future in the business. 

As an unpublished author, it's encouraging to think I can get my work out to the world despite rejection by traditional publishers, but it's discouraging to realize how few self-e-published authors earn significant money. (There will be very few Amanda Hockings.) As a reader, it's encouraging to realize there will be more variety on the reading market--we won't be locked into books published only to follow trends; we'll get to see good work that was rejected by a traditional publisher as not marketable enough.  On the other hand, we readers also will have to wade through a lot of dreck that people will e-publish, because without screening via review by an agent and/or editor, some really bad work is going online. 

Kindle e-reader
One way or the other, e-publishing is the future. Paper books won't die, but more and more people will go to e-readers. As much as I love books (and I own thousands of them), I love the idea of being able to carry hundreds of books with me in one small e-reader. I long ago ran out of shelf space in my home for traditional books; being able to store them invisibly in a device the size of a single slender volume is appealing.

I'll still want to keep paper books around. After all, what if I have to do without electricity for a while and can't recharge my e-reader? (I can never forget the post-Katrina morass of loss of power, etc.) The idea of going without reading material terrifies me! So next time I evacuate for a storm, I'll carry my e-readers with me...but I'll also bring some paper books. Just to be safe. 

Wednesday, November 03, 2010

Michael Connelly & Steve McQueen


Michael Connelly

USA Today has a good article on Michael Connelly, author of the Harry Bosch detective series and the Mickey Haller "Lincoln Lawyer" series. Connelly has become one of my favorite writers. I love his Harry Bosch series.
The article page also features a video interview of Connelly, in which he reveals that his vision of the best actor to play Harry Bosch onscreen is the late Steve McQueen. Connelly says when he created Harry Bosch, he was picturing McQueen in his role as the detective Bullitt.


 
Steve McQueen in
The Great Escape

That was a surprise to me, because I hadn't pictured Bosch as being anything like McQueen. But then, it's been a long long time since I saw the movie Bullitt. I'll have to put that on my NetFlix queue. My favorite of the roles he played was his character in The Great Escape, Virgil Hilts, "The Cooler King."


McQueen, who was nicknamed the King of Cool, died 30 years ago. If he'd survived he'd be 80 years old now. It's hard to picture an 80-year-old Steve McQueen.


Saturday, January 23, 2010

In Memoriam: Robert B. Parker

One of my favorite authors died last week: Robert B. Parker, creator of the ageless PI Spenser, as well as Jesse Stone, Sunny Randall, Virgil Cole and Everett Hitch. Parker died at his writing desk on Monday, January 18. The perfect way for an author to go.

Here's a great farewell essay from The Lipstick Chronicles blog that gives all the info on Parker and his career, written in the voice of Spenser himself:
Remembering Robert B. Parker by William Simon 

And another, more personal tribute from another crime fiction writer:
Robert B. Parker, an Appreciation by Jim Fusilli

Rest in peace, Robert, and thanks for all the great stories and characters. I'll miss them, especially Spenser.

Friday, January 30, 2009

Hail and Farewell


I welcome 2009 because it brought a new president, in whom I have much hope.

I shrink from 2009, however, because it brought the departure from New Orleans of Laura Joh Rowland, a good friend whom I shall miss greatly.

You know as much as I do about our new president, and the hopes of the voters who elected him. I shall focus instead on my friend, whose departure I bemoan. Laura has moved to New York due to her husband's job change.

I've known Laura since 1993, when I joined SOLA, the local chapter of RWA, a national writers' organization. Laura was already a member and she made her first book sale that year (Shinju, first in her Sano Ichiro mystery series). For a long time we were mere acquaintances, but over the last eight years we became friends. Since 2001 we've belonged to a writers group that meets once a week. Over those years I've seen Laura nearly every Monday--she was a faithful attendee and rarely missed a meeting. I had the chance to get to know her, and everything I discovered about her is admirable.

Laura is, first, a fine person, kind, loyal, honest, hardworking, and conscientious. She has a serious demeanor, but underneath an antic sense of humor and a fine wit.

She is, second, a true artist, creative in many ways. As an author, she's had 14 books published (13 in her Sano Ichiro mystery series set in 17th century Japan, one so far in her Charlotte Bronte mystery series). She's a fine writer, with a wonderful skill at taking us back into a historical setting and making us see, hear, feel, smell and taste it. Her characters live and breathe, as if in the room with us. Her plots are fiendishly clever.

Laura is generous in sharing her knowledge with fledgling authors, and encouraging them to become productive writers. She regularly gives talks to groups of writers as well as readers, and presents programs at writers' conferences. For more than 10 years she mentored a critique group in New Orleans that had been started by the noted science fiction author George Alec Effinger. She always has a fresh perspective to offer on one's work; her advice is cogent, succinct, and as valuable as gold.

Laura is a painter, too, and plans to pursue that talent with serious study at a major art school soon. She faithfully took painting classes for years while in New Orleans, and her work decorated the walls of her home in New Orleans. (I wish I'd asked her to paint one for me.) Last year the New Orleans Academy of Fine Arts gave her a special award for "exceptional promise, discipline, and selfless devotion to the fine arts."

Laura now resides in one of New York's five boroughs, outside of Manhattan, in a busy neighborhood full of people speaking other languages. The population in her new neighborhood is mostly Korean immigrants. (Laura, a third-generation American of Korean and Chinese ancestry, says for the first time in her life she's part of the majority ethnicity.)

What wonderful grist for a writer's mill. I know she'll enjoy all the opportunities and excitement that New York has to offer, but oh, how we'll miss her here in New Orleans.

Ave atque vale, Obama and Rowland.

Wednesday, August 13, 2008

On Crusie's "The Double-Edged Blog"

(Yikes, two posts back-to-back! Is the world ending?)

I just read Jenny Crusie's latest entry on Argh Ink, "The Double-Edged Blog." Jenny's a best-selling author of women's fiction, known for her great sense of humor. She blogs about her works-in-progress, the businesses of writing and publishing, and life in general. She's found that while her blog gives her a chance to express herself freely on topics beyond her writing, it also results in the occasional flame-war from readers who don't like her opinions. She analogizes blogging to a double-edged sword:

I found out that blogs were a chance to say anything I wanted and I was hooked. For awhile, everything was lovely, and then I posted something a lot of people didn’t like. I can’t remember what it was now, but it was the first time somebody said to me, “You know, you should stop blogging, it’s going to hurt your career.” I said, “How is that possible?” and she said, “If they don’t like what you say on your blog, they’ll stop buying your books.” That was incomprehensible to me then, and it’s still puzzling to me now. ...

Then I tripped again, this time because I was thoughtless (this happens a lot). One of my friends got a ludicrous letter from a reader and I posted it with her first name on it. That was flat out wrong of me, and I did apologize and take the name off the blog but basically, I screwed up. First lesson: Never blog when you’re really angry but not admitting it to yourself. Practical application: Wait twenty-four hours before you post something you’ve written.

Then while I was being careful on Argh–well, careful for me–I lost my temper on somebody else’s blog and became The Author Who Is Pro-Plagiarism (because that was more fun for people to get upset about than The Author Who Thinks This Is Being Handled Badly and People Should Stop Author-Bashing Until They Know the Facts). This annoyed some people so much that they’re still mad at me; some of them cornered Bob [Mayer, Crusie's co-author on a couple of books] at Thrillerfest to tell him just how awful I am, as if he didn’t know the black depths of my heart already. And of course, they’re never going to read me again. (Actually my fave comment about the whole mess was on another blog: a reader said she was never going to read me again and then followed it up by saying she’d never read me before either. I kept thinking of the old “Doctor, will I be able to play the piano after my broken arm heals?”/”Of course”/”Funny, I couldn’t play it before” joke, but that’s probably just more evidence of how depraved I am.)

I always enjoy Jenny's blog entries, whether or not I share her point-of-view on certain issues. I'm baffled by the people who incite flame-wars because someone has an opinion that differs from theirs. Or, even worse, those who begin online campaigns against a particular writer because they don't like his/her point of view.

Jennie's blog entry is well worth reading, especially for anyone who's had a similar blog-experience. Several of the comments following it are thought-provoking, too.

As Jenny says:

I feel strongly that anybody who evaluates the rest of the people in the world by how closely their attitudes and statements agree with her worldview is in danger of structuring a life much like the Alberto Gonzales Justice Department. We don’t learn from the people who agree with us, we learn from the people who make us say, “Wait a minute,” and that learning goes both ways. I learn a lot from the critics who intelligently analyze my books and find them wanting; I’ve also learned a lot from the people who have thoughfully and calmly disagreed with me on this blog. Haven’t learned a thing from the shriekers and condemners, though.

Sunday, May 25, 2008

In Memoriam: Robert Asprin

I just found out that science fiction/fantasy writer Robert Asprin died a few days ago at his home in the French Quarter here in New Orleans. He was 61. Asprin, creator of the MythAdventures fantasy series, had been scheduled to be a guest of honor at MARCON, a major SFF convention taking place this weekend in Columbus, Ohio. His death occurred shortly before a friend arrived at his home to drive him to the airport. The Times-Picayune website has a good article on him. (Photo from Jody Lynn Nye, Asprin's collaborator on several books.)

Asprin also was an early participant in the Society for Creative Anachronism (SCA), where he was known under his persona Yang the Nauseating, and was instrumental in creation of The Great Dark Horde, a subgroup within SCA (known as a "household").

I haven't read any of Asprin's work, but I recall seeing his books in bookstores, and online as well. A quick perusal of his website and the Great Dark Horde website shows an antic wit and a great sense of humor. I post this memorial out of respect for someone who obviously had great creative gifts, and used them well.

May he rest in peace.

Thursday, May 22, 2008

The Awful Truth

Kassia Krozser of Booksquare and Dan Green of The Reading Experience are engaged in a provocative dispute about the need for authors to market their own books. See Kassia's "Not a Formula for Success," Dan's "Living on Earth," and Kassia's riposte, "Life on Venus: Authors Do Market."

I know dozens of writers, both published and unpublished. What surprises them most when their first books are published is learning they'll be responsible for most--or all--of the promotion and marketing.

As aspiring ("pre-published") writers, we all imagined we'd merely need to complete the manuscript. Once we signed that book contract, maybe we'd have to make a few changes here and there based on the editorial letter. After that, however, we would move on to our next manuscript. The publisher would take care of actually selling the book to retail outlets and readers.

T''ain't so. The Awful Truth is that publishers' promotional and marketing resources are allocated to the authors who bring in the most money...i.e., those who are already big sellers. You know, your Stephen Kings, your James Pattersons, your Mary Higgins Clarks.

The average writer is a peon--very low on the list for services from the publisher.

Thus it is that the typical novelist--probably an introvert, almost certainly someone who hates the idea of "selling" anything to anybody--has to get out and beat the streets (and Internet pathways) to promote and market his/her book.

Sigh. Yet another note of harsh reality intruding into our fantasy worlds.

Sunday, March 30, 2008

2008 Hugo Awards Finalists

The World Science Fiction Society (WSFS) is an unincorporated society which sponsors the annual World Science Fiction Convention (Worldcon) and the Hugo Awards. The Hugo Awards, given annually since 1955, are science fiction’s most prestigious award. The Hugos are voted on by the thousands of members of the current Worldcon which is also responsible for administering them. Winners will be announced and trophies awarded at the Hugo Awards Ceremony at Denvention 3, the 66th World Science Fiction Convention, on Saturday, August 9.


Best Novel
  • The Yiddish Policemen’s Union by Michael Chabon (HarperCollins; Fourth Estate)
  • Brasyl by Ian McDonald (Gollancz; Pyr)
  • Rollback by Robert J. Sawyer (Tor; Analog 10/06-1-2/07)
  • The Last Colony by John Scalzi (Tor)
  • Halting State by Charles Stross (Ace)

Best Novella
  • “The Fountain of Age” by Nancy Kress (Asimov’s 7/07)
  • “Recovering Apollo 8” by Kristine Kathryn Rusch (Asimov’s 2/07)
  • “Stars Seen Through Stone” by Lucius Shepard (F&SF 7/07)
  • “All Seated on the Ground” by Connie Willis (Asimov’s 12/07; Subterranean Press)
  • “Memorare” by Gene Wolfe (F&SF 4/07)

Best Novelette
  • “The Cambist and Lord Iron: a Fairytale of Economics” by Daniel Abraham (Logorrhea, ed. John Klima, BantamSpectra)
  • “The Merchant and the Alchemist’s Gate” by Ted Chiang (Subterranean Press, F&SF Sept. 2007)
  • “Dark Integers” by Greg Egan (Asimov’s 10/07)
  • “Glory” by Greg Egan (The New Space Opera, ed. Gardner Dozois and Jonathan Strahan, HarperCollins/Eos)
  • “Finisterra” by David Moles (F&SF 12/07)

Best Short Story
  • “Last Contact” by Stephen Baxter (The Solaris Book of New Science Fiction, ed. George Mann, Solaris)
  • “Tideline” by Elizabeth Bear (Asimov’s 6/07)
  • “Who’s Afraid of Wolf 359?” by Ken MacLeod (The New Space Opera, ed. Gardner Dozois & Jonathan Strahan, HarperCollins/Eos)
  • “Distant Replay” by Mike Resnick (Asimov’s 4/07)
  • “A Small Room in Koboldtown” by Michael Swanwick (Asimov’s 4/07; The Dog Said Bow-Wow, Tachyon)

Best Related Book
  • The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University)
  • Breakfast in the Ruins: Science Fiction in the Last Millennium by Barry Malzberg (Baen)
  • Emshwiller: Infinity x Two by Luis Ortiz, intro. by Carol Emshwiller, fwd. by Alex Eisenstein (Nonstop)
  • Brave New Words: The Oxford Dictionary of Science Fiction by Jeff Prucher (Oxford University Press)
  • The Arrival by Shaun Tan (Arthur A. Levine/Scholastic)

Best Dramatic Presentation, Long Form
  • Enchanted
    Written by Bill Kelly
    Directed by Kevin Lima (Walt Disney Pictures)
  • The Golden Compass
    Written by Chris Weitz
    Based on the novel by Philip Pullman
    Directed by Chris Weitz (New Line Cinema)
  • Heroes, Season 1
    Created by Tim Kring (NBC Universal Television and Tailwind Productions)
    Written by Tim Kring, Jeph Loeb, Bryan Fuller, Michael Green, Natalie Chaidez, Jesse Alexander, Adam Armus, Aron Eli Coleite, Joe Pokaski, Christopher Zatta, Chuck Kim.
    Directed by David Semel, Allan Arkush, Greg Beeman, Ernest R. Dickerson, Paul Shapiro, Donna Deitch, Paul A. Edwards, John Badham, Terrence O'Hara, Jeannot Szwarc, Roxann Dawson, Kevin Bray, Adam Kane
  • Harry Potter and the Order of the Phoenix
    Written by Michael Goldenberg
    Based on the novel by J.K. Rowling
    Directed by David Yates (Warner Bros.)
  • Stardust
    Written by Jane Goldman & Matthew Vaughn
    Based on the novel by Neil Gaiman
    Directed by Matthew Vaughn (Paramount Pictures)

Best Dramatic Presentation, Short Form
  • Battlestar Galactica “Razor”
    Written by Michael Taylor
    Directed by Félix Enríquez Alcalá and Wayne Rose (Sci Fi Channel) (televised version, not DVD)
  • Doctor Who “Blink”
    Written by Stephen Moffat
    Directed by Hettie Macdonald (BBC)
  • Doctor Who “Human Nature” / “Family of Blood”
    Written by Paul Cornell
    Directed by Charles Palmer (BBC)
  • Star Trek New Voyages “World Enough and Time”
    Written by Michael Reaves & Marc Scott Zicree
    Directed by Marc Scott Zicree (Cawley Entertainment Co. and The Magic Time Co.)
  • Torchwood “Captain Jack Harkness”
    Written by Catherine Tregenna
    Directed by Ashley Way (BBC Wales)

Best Professional Editor, Long Form
  • Lou Anders (Pyr)
  • Ginjer Buchanan (Ace/Roc)
  • David G. Hartwell (Tor/Forge)
  • Beth Meacham (Tor)
  • Patrick Nielsen Hayden (Tor)

Best Professional Editor, Short Form
  • Ellen Datlow (The Year’s Best Fantasy and Horror (St. Martin’s), Coyote Road (Viking), Inferno (Tor))
  • Stanley Schmidt (Analog)
  • Jonathan Strahan (The New Space Opera (HarperCollins/Eos), The Best Science Fiction and Fantasy of the Year: Volume 1 (Night Shade), Eclipse One (Night Shade))
  • Gordon Van Gelder (The Magazine of Fantasy and Science Fiction)
  • Sheila Williams (Asimov’s Science Fiction)

Best Professional Artist
  • Bob Eggleton (Covers: To Outlive Eternity and Other Stories (Baen), Ivory (Pyr), and The Taint and Other Novellas (Subterranean))
  • Phil Foglio (Cover: Robert Asprin’s Myth Adventures, Vol. 2 (Meisha Merlin), What’s New (Dragon Magazine Aug. 2007, Girl Genius Vol. 6-Agatha Heterodyne & the Golden Trilobite (Airship Entertainment ))
  • John Harris (Covers: Spindrift (Ace), Old Man's War (Tor, pb), The Last Colony (Tor))
  • Stephan Martiniere (Covers: Brasyl (Pyr), Mainspring (Tor), The Dragons of Babel (Tor))
  • John Picacio (Covers: Fast Forward 1 (Pyr), Time’s Child (HarperCollins/Eos), A Thousand Deaths (Golden Gryphon))
  • Shaun Tan

Best Semiprozine
  • Ansible, edited by David Langford
  • Helix, edited by William Sanders and Lawrence Watt-Evans
  • Interzone, edited by Andy Cox
  • Locus, edited by Charles N. Brown, Kirsten Gong-Wong, Liza Groen Trombi
  • New York Review of Science Fiction, edited by Kathryn Cramer, Kristine Dikeman, David G. Hartwell, Kevin J. Maroney

Best Fanzine
  • Argentus, edited by Steven H Silver
  • Challenger, edited by Guy Lillian III
  • Drink Tank, edited by Chris Garcia
  • File 770, edited by Mike Glyer
  • PLOKTA, edited by Alison Scott, Steve Davies, and Mike Scott

Best Fan Writer
  • Chris Garcia
  • David Langford
  • Cheryl Morgan
  • John Scalzi
  • Steven H Silver

Best Fan Artist
  • Brad Foster
  • Teddy Harvia
  • Sue Mason
  • Steve Stiles
  • Taral Wayne

John W. Campbell Award (An award for the best new writer whose first work of science fiction or fantasy appeared during 2006 or 2007 in a professional publication. Sponsored by Dell Magazines.)
  • Joe Abercrombie (2nd year of eligibility)
  • Jon Armstrong (1st year of eligibility)
  • David Anthony Durham (1st year of eligibility)
  • David Louis Edelman (2nd year of eligibility)
  • Mary Robinette Kowal (2nd year of eligibility)
  • Scott Lynch (2nd year of eligibility)

From http://www.denvention.org/hugos and http://www.thehugoawards.org/?page_id=2

Friday, September 28, 2007

A Pantser Speaks: Writing the Book Proposal

How cool is this? The blogosphere puts us all within only a couple of degrees of separation.

On September 8th, I posted The Pantsers' P.O.V. in response to a A Question for Pantsers by C.S. Harris, who wondered how seat-of-the-pants authors write book proposals. I posted a link for "To Outline or Not to Outline," an Internet Writing Journal article by Timothy Hallinan. In it, Hallinan described the writing process of a writer who doesn't like to plot his books ahead of time.

Within a few days, Tim Hallinan himself contacted me. I wrote back to him, and he offered to send me an article on how he writes book proposals.

* * * * * * * * * *
Tim Hallinan's A Nail Through the Heart (William Morrow, June 2007), first in his new Poke Rafferty thriller series, was a July BookSense Pick and has garnered high praise. Kirkus Reviews calls it "ultimately enthralling"; BookSense calls it "first of a truly remarkable series"; NYT bestselling author John Lescroart says, "Hallinan's a writer's writer, and this is great stuff"; NYT bestselling author T. Jefferson Parker calls the book "haunting...fast, bold, disturbing and beautifully written."

Tim's bio on the book flap states:

Timothy Hallinan divides his time between Los Angeles and Southeast Asia, primarily Thailand, where he has lived off and on for more than twenty years. As a principal in one of America's top television-based public-relations firms, he represented programs sponsored by many Fortune 500 companies and pioneered new methods of making television programming accessible to teachers. He also taught writing for many years.

I am thrilled to present Tim Hallinan as my first guest blogger. Welcome, Tim!


* * * * * * * * * *

I can't outline. For one thing, I don't think that way. I think that plot is what characters do, not a box to squeeze characters into.

For another, the one time I tried to write a novel to an outline, it bored me silly. I wasn't having fun, and I think that fun is one of the kinds of energy that finds its way onto the page. So I'm a seat-of-the-pants writer who comes up with a basic situation and a handful of characters and then lets the characters lead me through the story.

So how do I write a book proposal?

One answer is that I actually don't. I write series novels, which makes things a little easier. The publisher is invested in the idea of the series continuing, so they usually accept a truncated outline, which I'll describe in a second. But I've sold the first book in both of my series by writing the whole damn thing and then submitting it. And I wish I could write them all that way.

However, the way contracts are written, the first payment on books three and four is signaled by acceptance of a proposal. So this is what I do.

I figure out my basic situation and who the main characters might be. Then I write four or five chapters (say, 10,000 words) to make sure I actually want to write it. (I don't want to be stuck for a year with a story that's going to die on me.) By that point, I've created some momentum and I usually know where I'm going, at least through the first major reversal in the book. I write a proposal to that point and then generalize on where I think it's going from there. I throw in anything and everything that's both plausible and (in one way or another) exciting. THIS IS NOT AN OUTLINE. It's something like, "But Poke finds that the best intentions can have unforeseen consequences . . ." and then throw in everything but the kitchen sink. Then I share it with a few people and add any good ideas they have. After my agent says it looks okay, I send it to my editor.

And then, when I write the book, I pretty much forget about it. I figure that no editor will question whether I stuck to the proposal if the finished book is better than the proposal. So far, I've been lucky and I haven't had one sent back.

Hope this is helpful to someone.

Tim Hallinan

Saturday, September 08, 2007

The Pantsers' P.O.V.

Publishers generally require an unpublished fiction author to have a completed manuscript before they will buy the book. After the first novel, however, most publishers will offer the writer a book contract based on a proposal, which is the first three chapters and a synopsis of the full book.

A couple of days ago C.S. Harris posted "A Question for Pantsers" on her blog. C.S. is a plotter, who plans her books fully before she starts writing the first line of prose. She wanted to know how pantsers--writers who write "by the seat of their pants," not plotting the story fully in advance--come up with synopses for their book proposals.

I am a pantser, but can't answer her question because I am unpublished--and also because I have never yet finished a manuscript.

(Aside: "Aha," say the plotters, "You can't finish because you don't plot!")

The Internet Writing Journal recently posted an interesting article by Timothy Hallinan. His seventh novel, A Nail through the Heart, was released this summer. In "To Outline or Not to Outline," Hallinan explains his writing process. He doesn't mention how he deals with writing a proposal, but he does give a good description of the way many pantsers probably work. Here's an excerpt:

I personally can't stand to outline. My main problem is that I don't know my characters well enough until I've written about them at some length, and it doesn't work for me to try to force them into a story they might outgrow. I want them to grow as I write them, and then I want the story to grow out of them. [Emphasis added.]

Someone once said, "We learn what we're writing about by writing about it." For me, and for most of the other novelists I know, writing a novel is (to use an inelegant simile) like circling a drain. We start out by working around the edges of our story, and then the spiral narrows as the story, and our characters, become clearer to us. We center in on the things that really matter.


I particularly like his "circling a drain" metaphor for closing in on his story by starting at its edges. I recommend you read the entire article for a fuller explanation. I do wonder, however, how he writes a book proposal. Surely he has done so, since he's had several novels published before this one. In addition, his new book is first in a series, so he'll have to present something to his publisher to get contracts for the later books.

Maybe I'll go to Hallinan's website and email him about it.

Tuesday, September 04, 2007

2007 Hugo Awards Announced


From the Hugo Awards website:

The results of the 2007 Hugo Awards, as announced at Nippon 2007, the 65th World Science Fiction Convention, in Yokohama, Japan, on September 1st 2007, are as follows:

Best Novel: Rainbows End by Vernor Vinge [Tor, 2006]

Best Novella: “A Billion Eves” by Robert Reed [Asimov’s Oct/Nov 2006]

Best Novelette: “The Djinn’s Wife” by Ian McDonald [Asimov’s July 2006]

Best Short Story: “Impossible Dreams” by Tim Pratt [Asimov’s July 2006]

Best Related Non-Fiction Book: James Tiptree, Jr.: The Double Life of Alice B Sheldon by Julie Phillips [St. Martin’s Press, 2006]

Best Dramatic Presentation, Long Form: Pan’s Labyrinth (2006) Screenplay by Guillermo del Toro. Directed by Guillermo del Toro [Picturehouse]

Best Dramatic Presentation, Short Form: Doctor Who - “Girl in the Fireplace” (2006) Written by Steven Moffat. Directed by Euros Lyn [BBC Wales/BBC1]

Best Editor, Long Form: Patrick Nielsen Hayden

Best Editor, Short Form: Gordon Van Gelder

Best Professional Artist: Donato Giancola

Best Semiprozine: Locus ed. by Charles N. Brown, Kirsten Gong-Wong and Liza Groen Trombi

Best Fanzine: Science-Fiction Five-Yearly ed. by Lee Hoffman, Geri Sullivan, and Randy Byers

Best Fan Writer: Dave Langford

Best Fan Artist: Frank Wu

The winner of the John W. Campbell Award for Best New Writer, sponsored by Dell Magazines and administered on their behalf by the World Science Fiction Society, is:

Naomi Novik

Full details of the nominees and voting figures can be found here.

Thursday, July 19, 2007

See Booksquare for promotional ideas

Over at the Booksquare blog, Kassia Krozser is touting the virtues of BookTour.com. Sounds like something my published-author friends would find useful. See Book Tours: Finally, Someone Makes It Easy For Everyone. And doesn't she have the coolest logo graphic ever?

Tuesday, July 17, 2007

Collaborative Writing

I'm seeing more and more collaborative novels on bookshelves nowadays--or perhaps I'm just noticing them more. Two members of my weekly writers' group are collaborating on a new espionage thriller series. Writing as Steven Graham, my buddies Candice Proctor (better known in the blogworld as C.S. Harris) and Steve Harris have their first book together, THE ARCHANGEL PROJECT, coming out in the spring of 2008, with the second one in the works. They've discussed their process a bit at some of our meetings. From what I recall, Steve, who spent years in military intelligence working on classified material, provides the background and research information. He and Candice work out the plot together, with Steve's knowledge of the world of espi0nage the critical factor. They work together on character development and dialogue. Candice writes the prose, while Steve reads and edits her drafts.

(They are married to each other, which I assume makes it easy to find time to work together on the books.)

Other collaborations being published are those between high-profile authors, such as James Patterson and Tom Clancy, with unknown or little-known co-authors. My impression of their arrangements is that the famous author suggests the basic plot, or even the full-blown plot, while the co-author does the actual research and writing. Most important is that the famous author lends his name, which guarantees book sales.

Other writing teams whose books are popular include Tori Carrington a.k.a Lori and Tony Karayianni; C.T. Adams and Cathy Clamp; Judith Michael a.k.a. Judith Barnard and Michael Fain; Ellery Queen a.k.a. Frederic Dannay and Manfred Bennington Lee ; Emma Lathen a.k.a Mary Jane Latsis and Martha Hennissart. There are so many others I won't attempt to list more. In Googling the topic, I came across whole books written about writing collaborations.

Of course, the script of almost every movie is a collaborative effort--it's unusual to find only one name in the credits.

Collaboration is more common in nonfiction work than in fiction, however. (When you're working with facts, facts, facts, it must be easier to divide up writing/research/development duties than dividing up a novel.)

Bob Mayer has a good post on collaborative writing at the Crusie-Mayer Writing Workshop--HE WROTE: Collaborating (aka Bob is always right). His writing collaboration with Jennifer Crusie has resulted in two books so far (the second to be released in August). Theirs is a full collaboration on the entire manuscript, in the sense that each writes approximately half of it. Bob writes the male characters and male P.O.V. scenes, while Jenny does the female characters and female P.O.V. scenes. Bob's post discusses other types of collaborations, too, and makes points about what you have to do to work successfully with a writing collaborator.

I can't really picture ever collaborating with another writer on a book, because I'm pretty much a lone-wolf kind of writer. Who knows, however--it could happen.

Monday, July 09, 2007

George Alec Effinger


On Thursday, July 12, Octavia Books in New Orleans will hold its (sort-of-annual ) George Alec Effinger memorial reading. George Alec Effinger was a noted science fiction writer who lived in New Orleans during most of his last three decades. He died here in April 2002. Effinger's first novel, What Entropy Means to Me (1972), was nominated for the Nebula Award. Schrodinger's Kitten, a novelette, won both the Nebula and the Hugo awards. Although science fiction was his genre, many of his stories also included elements of fantasy and horror. His stories have a sly sense of humor and antic wit.

I'd heard of Effinger over the years numerous times, and had read some of his work during my SF-loving days in my twenties. I didn't know he lived in my town, however, until the early nineties when I joined SOLA, the local chapter of RWA. There I met Laura Joh Rowland, author of the Sano Ichiro historical mysteries set in 16th-century Japan. Laura credits her publishing success to her membership in an ongoing writers' workshop started by George Effinger in the late eighties. Effinger served as mentor to the group almost to the end of his life, until he became too ill to continue. (Laura, with twelve published novels to her credit, has now taken the post of mentor in the group, which continues to meet monthly.) As I grew to know Laura over the years, I heard more about Effinger; he even spoke at SOLA meetings a time or two. Over the years Laura often mentioned Effinger's generosity to and encouragement of aspiring writers.

After Effinger died in 2002 a group of his friends and his former wife, prolific author Barbara Hambly, decided to hold a reading of his work as a memorial to him. A local bookstore, Octavia Books, offered its premises as a place for the reading, and the first George Alec Effinger Memorial Reading took place. Amid chuckles, snorts of laughter, and a few tears, George's nearest and dearest read excerpts of his work. Readers included Barbara Hambly, Laura Joh Rowland, and Andrew Fox (also a member of the Effinger workshop; like Laura, Andrew credits his becoming published to Effinger's encouragement and support).

Sadly, at the time George died most of his work was out of print. In the years since, however, several of his novels and collections of his stories have been reprinted, due at least in part to Barbara Hambly's efforts. Octavia Books has continued to host Effinger memorial readings, held sporadically in conjunction with releases of Effinger's reprinted works. It's always an evening of fun, fellowship, nostalgia, wit, and good humor. This year Andy Fox (see above) is the featured reader. Barbara Hambly won't be there this year, but Laura Rowland will. And so will I, and other Effinger-ites.

If you're going to be in the New Orleans area around 6 p.m. this Thursday, July 12, why not drop by Octavia Books, 513 Octavia Street (corner of Laurel) in New Orleans' Garden District? Come pass a good time and join us in celebrating the genius of George Effinger.

Thursday, July 05, 2007

Robert Crais: Elvis Cole / Joe Pike novels


Two years ago I'd heard of Robert Crais, in the sense of seeing his books on shelves in bookstores, but his name didn't mean much to me. I'd even bought and read one of his non-series books, Demolition Angel, which wasn't a waste of time, but didn't drive me to seek out the rest of Crais' oeuvre.

A couple of summers ago, however, I discovered Crais' Elvis Cole mystery series. I'd seen Crais and the series praised in reviews and on websites. When a book I want to read is part of a series, I try to acquire the earlier books in the series so I can start at the beginning. That's what I did with Elvis Cole. From the first page of The Monkey's Raincoat (1987)--the first Elvis Cole book--I relished everything about the character and the writing. I knew I'd be following this series and this writer from then on.

I quickly sought out every other book in the series and tore through them hungrily. I loved the character of Elvis Cole from the first page of the first book. He's a former Army Ranger turned wisecracking private investigator, who wears a Mickey Mouse watch, does yoga to keep in shape, and calls himself the World's Greatest Detective. His jokes are corny but funny; his easygoing humor hides a mordant intelligence and keen observational skills. He's relentless and tough, deadly when he has to be, but has a tender heart. What makes the series great is how Crais develops the character of Elvis Cole more with each book in the series. Now, like every other anxious fan, I wait for the annual installments.

Notably, in case you're a fan of Michael Connelly's Harry Bosch series,
Elvis Cole made an un-named appearance in Michael Connelly’s novel, LOST LIGHT. Harry Bosch made a similar, un-named appearance in RC’s THE LAST DETECTIVE. RC and MC are friends, and thought this would be a fun way to acknowledge each other’s work.
(
from the FAQ on Crais' website).

Through the Cole series Crais has developed a secondary character so well that the character now has his own series--just started with Crais' most recent book, The Watchman, subtitled "A Joe Pike Novel" (2007).

Joe Pike is Elvis Cole's partner, mysterious, a former Marine war hero, machine-like and powerful in his focus on the job at hand, both fascinating and frightening to everyone he meets. Just as Crais developed Elvis Cole throughout the series, he also developed Joe Pike's character (although at a slower, less-revelatory pace). Pike had a starring role in L.A. Requiem (1999), which not only was a powerful novel, but also revealed Pike's past so that we understand why he is the way he is. We know what drives Joe Pike; unlike Cole, he's not easy to like, but he's powerful, riveting and charismatic. Many critics called L.A. Requiem Crais' best work to that date, and the novel marked a distinct change in Crais' writing style.

Crais also has written three non-series novels: Demolition Angel (2000), Hostage (2001), and The Two-Minute Rule (2006). I mentioned Demolition Angel earlier in this post; it's a dark book, well-done for its kind, but with a damaged, bitter heroine with whom I could not identify. Hostage has a lot of action (well, all Crais' novels have a lot of action) and was made into a pretty-good movie starring Bruce Willis. The Two-Minute Rule features an ex-con bank robber out to avenge the death of his only son; I understand Crais may be writing a second novel featuring that character, Max Holman.

I enjoy seeing the progress of a writer's development, which is why I always try to read an author's books in the order in which they were published. I find Crais' writing addictive. I can see his development as a writer from the earlier books through the latest. The earlier Cole books were well-done, but lighter, with a few bones of their storytelling skeletons poking through. The later books are richer, more complex, and with much broader scope.

Too bad I have to wait another year for the next Robert Crais book.

Wednesday, June 20, 2007

Have We Talked about Book Covers Recently?

I've blogged several times about book covers, or at least the unintentional humor to be found in bad ones (see Now for Something Completely Different, Can There Be Too Much of a Good Thing?, Romance Cover Contest 2006). Most authors have no control over, and very little input into, the cover designs for their books. The most they can do is make suggestions, hope the publisher considers them, and pray that the final result will appeal to book buyers. For the fiction authors in my writers' group, covers are a big concern. Last year we devoted a couple of meetings to analyzing and making suggestions for the cover of C.S. Harris' second St. Cyr mystery, When Gods Die--and, whaddyaknow, when she e-mailed her editor with our suggestions, the publisher actually revamped the cover with our list in mind. The final result was a marked improvement over the original.

New-York-Times bestselling author Jennifer Crusie worries about covers, too. Over on Aargh Ink earlier this week, she blogged about the struggle to develop a good cover for the second collaborative novel she's done with thriller author Bob Mayer. Take a look and watch the evolution of a book cover. (Agnes and the Hitman will be released in August.)

For interesting info on the Crusie/Mayer writing collaboration, see their joint site. This is one way to solve the dilemma of portraying the opposite sex--have a co-writer who does the p.o.v. scenes of the characters of his/her gender. Since Crusie is known for her wit and humor, while Mayer presents a tough-guy/macho-man face to the world, reading the potshots they take at each other adds a lot of entertainment value.

Sunday, June 17, 2007

Martin Cruz Smith

I return to blogging after yet another prolonged absence. This time it was partly due to loss of my Internet connection. It was days before I could find enough time to stay on the phone with tech support to recover the connection. (My ISP tries to weed out the weak-willed by making the customers first fight their way through a jungle of computer-voice links, then slog through the prolonged "you're-on-hold-but-we-really-value-your-call" waiting period, before reaching someone who can actually help.) Once I got finally got hold of a live human technician, we spent half an hour tracing various software paths to figure out what the problem was. It appears I screwed up some settings while trying to uninstall a piece of hardware a couple of weeks ago. I'm glad to be back online now, after going through days and days of Internet Withdrawal.

The topic on my mind right now is Martin Cruz Smith, whose latest novel (Stalin's Ghost) was just released. He rates a lot of respect in my weekly writers' group. Three of us had read his work and recommended him repeatedly to the others for several years. Two of them finally got around to reading some of his work in the last few months and both have raved about him--see comments on the C.S. Harris blog. (I thought Charles Gramlich had a Martin Cruz Smith entry on his blog, too, but after skimming several months of his entries I can't find it. I guess I was confusing his comments during our meetings with blog commentary.)

Anyway, if you haven't yet read Martin Cruz Smith, try one of his books. I recommend you start with Gorky Park. I've decided to re-read some of his books myself, starting with Gorky Park. I love the character of Arkady Renko; I'm a sucker for a noble hero who fights against overwhelming odds. C.S. Harris' one-sentence analysis of his character in her blog entry (see link above) is spot-on:
[O]ne of the most fascinating aspects of Arkady’s character is that as much as he hates totalitarianism and bureaucracy and coercion, he genuinely believes in all that is good and noble about the pure communist philosophy.

I Googled Martin Cruz Smith and came up with some items of interest. Apparently he's not a cyber-wise author--the only "official website" for him is an amateurish and out-of-date page on Literati.net. However, I found other pieces of interest:

Here are other interviews of him:
He's one of America's best living writers, in my opinion.

Friday, May 04, 2007

2007 Derringer Award Nominees

Alas, I realized today that it's been 10 days since I last posted here. I've had several topics in mind to write about, but have been tied up taking care of matters in Daily Life. Rather than let my blog go empty another day, I'm posting an entry, which I started several weeks ago and hadn't quite finished. (I can't remember now what else I planned to add, so I hedged by adding a final sentence or two.)
------------------------------------------------------------------------------

Some of my writing friends bemoan the fact that short fiction has lost so much popularity and is hard to sell nowadays
. Fortunately, there still is a market for short fiction in the mystery genre. Below is the list of nominees for the 2007 Derringer Award, presented by the Short Mystery Fiction Society:

2007 DERRINGER NOMINEES

(For Stories Published in 2006)

BEST FLASH STORY

"Matched Set" by Jan Christensen (Winter 2006, Long Story Short)

"Vigilante" by Barry Ergang (Summer 2006, Mysterical-E)

"Snowflake Therapy" by Michelle Mach (June 2006, Thereby Hangs a Tale)

"Flight School" by Jill Maser (August 28, 2006, Flashshots)

"Home Entertainment" by Sandra Seamans (July/August 2006, A Cruel World)

BEST SHORT-SHORT STORY

"Even Steven" by Gail Farrelly (Winter 2006,Mouth Full of Bullets)

"Four For Dinner" by John M. Floyd (Seven by Seven)

"Interview" by Justin Gustainis (October 2006, Cape Fear Crime Festival)

"Elena Speaks of the City, Under Siege" by Steven Torres (September/October 2006, Crimespree Magazine)

"The Worst Door" by Frank Zafiro (January 2006, Dispatch)

BEST MID-LENGTH SHORT STORY

"Eden's Bodyguard" by David Bareford (September 2006, Thuglit)

"Shadow People" by Rex Burns (June 2006,Alfred Hitchcock Mystery Magazine)

"Cranked" by Bill Crider (Damn Near Dead: An Anthology of Geezer Noir)

"Uncle Blinky's Corner of the World" by Robert S. Levinson (March/April 2006, Ellery Queen Mystery Magazine)

"Shanks on the Prowl" by Robert Lopresti (May 2006, Alfred Hitchcock Mystery Magazine)

BEST LONGER SHORT STORY

"Signature in Blood" by Annette Dashofy (Winter 2006, Mysterical-E)

"Strictly Business" by Julie Hyzy (These Guns for Hire)

"Daphne MacAndrews and the Smack-Head Junkies" by Stuart MacBride (Damn Near Dead: An Anthology of Geezer Noir)

"See Also Murder" by Larry Sweazy (December 11, 2006, Amazon Shorts)

"The Valley of Angustias" by Steven Torres (October 2006, Alfred Hitchcock's Mystery Magazine)


The SMFS website does not indicate when the winners for 2007 will be announced. The website also lists past winners, beginning from the first year of the contest in 1998.

Monday, April 23, 2007

Argh Ink -- The Author Photo..Just Show Us What You're Really Like

Jennifer Crusie (who's one of my favorite authors because of her terrific writing and great sense of humor) had a blog entry last week talking about authors' photos for books. She supplies a link to photos of several romance authors who were huge sellers in the golden era of the 70's and 80's. She points out that--apart from the intrinsic entertainment of seeing these writers 25+ years ago--their photos were staged to be dramatic. It was all part of the image of romance writers back then:
"What I like about these photos is the Diane Arbus feel to them which nicely captures the freakshow that is publishing-for-a-living. Almost every one of those photos was carefully staged and chosen by the author to show a side of herself that wasn't real, deliberately letting the reader in on the joke."
(Not least among the weirdities is Danielle Steel's hairdo...I wanted to include a photo Valerie Sherwood wearing a strange animal boa, but couldn't because it would violate the copyright. So click on the link above to see it and the others.)

Anyway, take a look and grin. Most of these authors are still writing, too, although not necessarily as lucratively as 25 years ago. Jennifer Wilde a/k/a Tom Huff died at least a decade ago. Although I never included any of them among my favorite romance writers, the only authors among them I've never read are Shirlee Busbee and Valerie Sherwood.

If you read the entire article that accompanies the photos, you'll note it originally appeared in LIFE magazine in November 1981 and mentions the first-ever national conference of RWA (Romance Writers of America), which had been founded only the year before.

Thursday, April 12, 2007

Schlachthof Fünf

Kurt Vonnegut, literary icon of those who came of age in the Vietnam era and after, died yesterday. I have several of his novels, tucked away in a box in one of my storage units. I read them decades ago, when I was in college or perhaps only recently out of it. I no longer remember the plots of his books (my poor memory for plot details has worsened with the passing years), except for bits of Slaughterhouse Five, his most famous novel. It portrays the Allied forces' firebombing of Dresden, Germany, during World War II. Over many years I've carried with me the despair and horror that pervaded the story, as the eponymal hero Billie Pilgrim watched Allied bombs drop on the beautiful city--site of Europe's loveliest Gothic cathedrals and home to a huge population. The hero of the book (like Vonnegut himself, who was a POW in Dresden during the actual event) hides from the bombs in Schlachthof Fünf (German for "Slaughterhouse Five").

Like Joseph Heller (Catch 22), Vonnegut wrote about WWII not to praise it or to illustrate the heroism of its participants, but to demonstrate the futility and agony of war. Slaughterhouse Five was both fuel and resource for the anti-war movement in the Sixties.

According to Max Hastings, by February 1945, attacks upon German cities had become largely irrelevant to the outcome of the war and the name of Dresden possessed a resonance for cultured people all over Europe — "the home of so much charm and beauty, a refuge for Trollope’s heroines, a landmark of the Grand Tour." He argues that the bombing of Dresden was the first time Allied populations questioned the military actions used to defeat the Nazis.
--http://en.wikipedia.org/wiki/Bombing_of_Dresden_in_World_War_II

After Hurricane Katrina, when I saw the devastation in New Orleans, it reminded me of pictures I'd seen of the destroyed city of Dresden. It was heartbreaking...yet also left me hope, because I knew that much of Dresden has been restored--even the Frauenkirche, Dresden's most famous edifice, which was completely rebuilt and finished only a few years ago. If Dresden could come back from firebombing, I thought, surely New Orleans can come back from Katrina.

Of course, Dresden lost forever much of its most beautiful architecture, as well as thousands of its residents (estimates of 25,000-35,000). Ironically, Dresden too lies on either side of a river, in a flood plain, and is subject to flooding.

Back to the inspiration for this entry. There will be plenty of obituaries and eulogies describing Mr. Vonnegut, detailing his life, and critiquing his writing, so I shall add only: He is unarguably one of the greatest U.S. writers of the 20th century. Rest in peace, Kurt.