More book award listings, via the Poisoned Pen eNews for May 1, 2008. I am fond of these lists, both to give me an idea of what's popular in various genres and also because the lists offer fodder for my reading appetite.
2008 AGATHA AWARDS
BEST NOVEL
Louise Penny, Fatal Grace (St Martin's)
BEST FIRST NOVEL
Hank Phillippi Ryan, Prime Time (Harlequin)
BEST NONFICTION
Jon Lellenberg, Daniel Stashower and Charles Foley, Arthur Conan Doyle: A Life in Letters (The Penguin Press)
BEST SHORT STORY
Donna Andrews, "A Rat's Tale," in Ellery Queen's Mystery Magazine (Sept/Oct 2007)
BEST JUVENILE
Sarah Masters Buckley, A Light in the Cellar (American Girl)
2008 EDGAR ALLAN POE AWARDS
BEST NOVEL
John Hart, Down River (St Martin's)
BEST FIRST NOVEL BY AN AMERICAN AUTHOR
Tana French, In the Woods (Viking)
BEST PAPERBACK ORIGINAL
Megan Abbott, Queenpin (Simon & Schuster)
BEST FACT CRIME
Vincent Bugliosi, Reclaiming History: The Assassination of President John F. Kennedy (W.W. Norton and Company)
BEST CRITICAL/BIOGRAPHICAL
Jon Lellenberg, Daniel Stashower and Charles Foley, Arthur Conan Doyle: A Life in Letters (The Penguin Press)
BEST SHORT STORY
Susan Straight, "The Golden Gopher" – Los Angeles Noir (Akashic), ed. by Denise Hamilton.
2008 ARTHUR ELLIS AWARD NOMINEES
From the Crime Writers of Canada
BEST NOVEL
Linwood Barclay, No Time for Goodbye (Bantam)
Terry Carroll, Snow Candy (Mercury Press)
Maureen Jennings, Journeyman to Grief (McClelland & Stewart)
Louise Penny, Cruellest Month (St Martin's)
Jon Redfern, Trumpets Sound No More (RendezVous Crime/Napoleon & Company)
BEST FIRST NOVEL
Claire Cameron, The Line Painter (HarperCollins)
Sean Chercover, Big City, Bad Blood (Harper)
Liam Durcan, Garcia's Heart (McClelland & Stewart)
Susan Parisi, Blood of Dreams (Penguin Australia)
Sharon Rowse, The Silk Train Murder (Carroll & Graf)
Marc Strange, Sucker Punch (Castle Street Mysteries/Dundurn)
2008 LAST LAUGH AWARD NOMINEES
The Last Laugh Award is for the best humorous crime novel published in the British Isles in 2007.
Declan Burke, The Big O (Harcourt)
Ruth Dudley Edwards, Murdering Americans (Poisoned Pen Press)
Chris Ewan, The Good Thief's Guide to Amsterdam (St. Martin's)
Allan Guthrie, Hard Man (Harcourt)
Deanna Raybourn, Silent in the Grave (Mira)
Mike Ripley, Angel's Share (Allison & Busby Ltd.)
LC. Tyler, The Herring Seller's Apprentice (MacMillan)
Donald Westlake, What's So Funny? (Grand Central)
Sunday, May 04, 2008
Sunday, April 20, 2008
Louisiana Queens
In the midst of writing a new post that is going to be elegant, discursive, and celebratory, I realized I couldn't finish it today--I have to look up further info to make it complete, fact-check, etc., etc.
But I wanted to put up something new on the blog, so here we are: Ta-dahhhh! Louisiana Queens!
I'm thinking Louisiana has more queens than any other state. We have carnival queens, festival queens, and of course, cross-dressing queens. We even have dog queens.
Photo: 2008 Louisiana Association of Fairs and Festivals Queen of Queens, Brandi Stout (2007-2008 Miss Zwolle Tamale Fiesta Queen)

If the legislature ever decides to change the motto on our auto license plates--which has been "Sportman's Paradise" for as long as I can remember--I suggest LOUISIANA--THE QUEENLY STATE.
And, by the way, creds for giving me the idea to a couple of local blogs I just discovered--NOLA Notes and Pontchartrain Pete. (Their Queens entries are in their archives--here for NOLA Notes and here for Pontchartrain Pete.)
And this is off the subject, but too good not to share: NOLA Notes' "Ode to Galatoire's" (one of the storied New Orleans restaurants).
Closing thought: Being a blogger is like being a stand-up comic--we "borrow" a lot of material.
But I wanted to put up something new on the blog, so here we are: Ta-dahhhh! Louisiana Queens!
I'm thinking Louisiana has more queens than any other state. We have carnival queens, festival queens, and of course, cross-dressing queens. We even have dog queens.
Photo: 2008 Louisiana Association of Fairs and Festivals Queen of Queens, Brandi Stout (2007-2008 Miss Zwolle Tamale Fiesta Queen)

If the legislature ever decides to change the motto on our auto license plates--which has been "Sportman's Paradise" for as long as I can remember--I suggest LOUISIANA--THE QUEENLY STATE.
And, by the way, creds for giving me the idea to a couple of local blogs I just discovered--NOLA Notes and Pontchartrain Pete. (Their Queens entries are in their archives--here for NOLA Notes and here for Pontchartrain Pete.)
And this is off the subject, but too good not to share: NOLA Notes' "Ode to Galatoire's" (one of the storied New Orleans restaurants).
Labels:
Customs,
Entertainment,
Humor,
Louisiana,
Mardi Gras
Wednesday, April 09, 2008
"The Long Slow Revenge of Inanimate Objects"
Tim Hallinan has a great post on his blog today, "Long Slow Revenge." It's hilarious, yet sobering. Haven't we all had days like this...or perhaps not quite as bad as his day was.
I spend a lot of time trying to fight my way through the piles of inanimate objects--especially books--I've surrounded myself with over the years. I never thought, 25 years ago, that my love for buying rather than borrowing books, and for keeping memorabilia, would come to overwhelm me. Because, of course, being a procrastinator, I've continually put off the all-important technique of organizing my collections. Every now and then a box full of whatevers falls off its stack and spills all over the place, and I must pick up, rearrange, reorganize, etc....yet it's never done.
My sympathies, Tim. May you wreak vengeance on those objects! Let us say unto them, "The mills of Tim grind slowly, yet they grind exceeding small...."
Retribution
- THOUGH the mills of God grind slowly,
- Yet they grind exceeding small;
- Though with patience he stands waiting,
- With exactness grinds he all.
- Henry Wadsworth Longfellow
Sunday, March 30, 2008
2008 Hugo Awards Finalists
The World Science Fiction Society (WSFS) is an unincorporated society which sponsors the annual World Science Fiction Convention (Worldcon) and the Hugo Awards. The Hugo Awards, given annually since 1955, are science fiction’s most prestigious award. The Hugos are voted on by the thousands of members of the current Worldcon which is also responsible for administering them. Winners will be announced and trophies awarded at the Hugo Awards Ceremony at Denvention 3, the 66th World Science Fiction Convention, on Saturday, August 9.Best Novel
- The Yiddish Policemen’s Union by Michael Chabon (HarperCollins; Fourth Estate)
- Brasyl by Ian McDonald (Gollancz; Pyr)
- Rollback by Robert J. Sawyer (Tor; Analog 10/06-1-2/07)
- The Last Colony by John Scalzi (Tor)
- Halting State by Charles Stross (Ace)
Best Novella
- “The Fountain of Age” by Nancy Kress (Asimov’s 7/07)
- “Recovering Apollo 8” by Kristine Kathryn Rusch (Asimov’s 2/07)
- “Stars Seen Through Stone” by Lucius Shepard (F&SF 7/07)
- “All Seated on the Ground” by Connie Willis (Asimov’s 12/07; Subterranean Press)
- “Memorare” by Gene Wolfe (F&SF 4/07)
Best Novelette
- “The Cambist and Lord Iron: a Fairytale of Economics” by Daniel Abraham (Logorrhea, ed. John Klima, BantamSpectra)
- “The Merchant and the Alchemist’s Gate” by Ted Chiang (Subterranean Press, F&SF Sept. 2007)
- “Dark Integers” by Greg Egan (Asimov’s 10/07)
- “Glory” by Greg Egan (The New Space Opera, ed. Gardner Dozois and Jonathan Strahan, HarperCollins/Eos)
- “Finisterra” by David Moles (F&SF 12/07)
Best Short Story
- “Last Contact” by Stephen Baxter (The Solaris Book of New Science Fiction, ed. George Mann, Solaris)
- “Tideline” by Elizabeth Bear (Asimov’s 6/07)
- “Who’s Afraid of Wolf 359?” by Ken MacLeod (The New Space Opera, ed. Gardner Dozois & Jonathan Strahan, HarperCollins/Eos)
- “Distant Replay” by Mike Resnick (Asimov’s 4/07)
- “A Small Room in Koboldtown” by Michael Swanwick (Asimov’s 4/07; The Dog Said Bow-Wow, Tachyon)
Best Related Book
- The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University)
- Breakfast in the Ruins: Science Fiction in the Last Millennium by Barry Malzberg (Baen)
- Emshwiller: Infinity x Two by Luis Ortiz, intro. by Carol Emshwiller, fwd. by Alex Eisenstein (Nonstop)
- Brave New Words: The Oxford Dictionary of Science Fiction by Jeff Prucher (Oxford University Press)
- The Arrival by Shaun Tan (Arthur A. Levine/Scholastic)
Best Dramatic Presentation, Long Form
- Enchanted
Written by Bill Kelly
Directed by Kevin Lima (Walt Disney Pictures) - The Golden Compass
Written by Chris Weitz
Based on the novel by Philip Pullman
Directed by Chris Weitz (New Line Cinema) - Heroes, Season 1
Created by Tim Kring (NBC Universal Television and Tailwind Productions)
Written by Tim Kring, Jeph Loeb, Bryan Fuller, Michael Green, Natalie Chaidez, Jesse Alexander, Adam Armus, Aron Eli Coleite, Joe Pokaski, Christopher Zatta, Chuck Kim.
Directed by David Semel, Allan Arkush, Greg Beeman, Ernest R. Dickerson, Paul Shapiro, Donna Deitch, Paul A. Edwards, John Badham, Terrence O'Hara, Jeannot Szwarc, Roxann Dawson, Kevin Bray, Adam Kane - Harry Potter and the Order of the Phoenix
Written by Michael Goldenberg
Based on the novel by J.K. Rowling
Directed by David Yates (Warner Bros.) - Stardust
Written by Jane Goldman & Matthew Vaughn
Based on the novel by Neil Gaiman
Directed by Matthew Vaughn (Paramount Pictures)
Best Dramatic Presentation, Short Form
- Battlestar Galactica “Razor”
Written by Michael Taylor
Directed by Félix Enríquez Alcalá and Wayne Rose (Sci Fi Channel) (televised version, not DVD) - Doctor Who “Blink”
Written by Stephen Moffat
Directed by Hettie Macdonald (BBC) - Doctor Who “Human Nature” / “Family of Blood”
Written by Paul Cornell
Directed by Charles Palmer (BBC) - Star Trek New Voyages “World Enough and Time”
Written by Michael Reaves & Marc Scott Zicree
Directed by Marc Scott Zicree (Cawley Entertainment Co. and The Magic Time Co.) - Torchwood “Captain Jack Harkness”
Written by Catherine Tregenna
Directed by Ashley Way (BBC Wales)
Best Professional Editor, Long Form
- Lou Anders (Pyr)
- Ginjer Buchanan (Ace/Roc)
- David G. Hartwell (Tor/Forge)
- Beth Meacham (Tor)
- Patrick Nielsen Hayden (Tor)
Best Professional Editor, Short Form
- Ellen Datlow (The Year’s Best Fantasy and Horror (St. Martin’s), Coyote Road (Viking), Inferno (Tor))
- Stanley Schmidt (Analog)
- Jonathan Strahan (The New Space Opera (HarperCollins/Eos), The Best Science Fiction and Fantasy of the Year: Volume 1 (Night Shade), Eclipse One (Night Shade))
- Gordon Van Gelder (The Magazine of Fantasy and Science Fiction)
- Sheila Williams (Asimov’s Science Fiction)
Best Professional Artist
- Bob Eggleton (Covers: To Outlive Eternity and Other Stories (Baen), Ivory (Pyr), and The Taint and Other Novellas (Subterranean))
- Phil Foglio (Cover: Robert Asprin’s Myth Adventures, Vol. 2 (Meisha Merlin), What’s New (Dragon Magazine Aug. 2007, Girl Genius Vol. 6-Agatha Heterodyne & the Golden Trilobite (Airship Entertainment ))
- John Harris (Covers: Spindrift (Ace), Old Man's War (Tor, pb), The Last Colony (Tor))
- Stephan Martiniere (Covers: Brasyl (Pyr), Mainspring (Tor), The Dragons of Babel (Tor))
- John Picacio (Covers: Fast Forward 1 (Pyr), Time’s Child (HarperCollins/Eos), A Thousand Deaths (Golden Gryphon))
- Shaun Tan
Best Semiprozine
- Ansible, edited by David Langford
- Helix, edited by William Sanders and Lawrence Watt-Evans
- Interzone, edited by Andy Cox
- Locus, edited by Charles N. Brown, Kirsten Gong-Wong, Liza Groen Trombi
- New York Review of Science Fiction, edited by Kathryn Cramer, Kristine Dikeman, David G. Hartwell, Kevin J. Maroney
Best Fanzine
- Argentus, edited by Steven H Silver
- Challenger, edited by Guy Lillian III
- Drink Tank, edited by Chris Garcia
- File 770, edited by Mike Glyer
- PLOKTA, edited by Alison Scott, Steve Davies, and Mike Scott
Best Fan Writer
- Chris Garcia
- David Langford
- Cheryl Morgan
- John Scalzi
- Steven H Silver
Best Fan Artist
- Brad Foster
- Teddy Harvia
- Sue Mason
- Steve Stiles
- Taral Wayne
John W. Campbell Award (An award for the best new writer whose first work of science fiction or fantasy appeared during 2006 or 2007 in a professional publication. Sponsored by Dell Magazines.)
- Joe Abercrombie (2nd year of eligibility)
- Jon Armstrong (1st year of eligibility)
- David Anthony Durham (1st year of eligibility)
- David Louis Edelman (2nd year of eligibility)
- Mary Robinette Kowal (2nd year of eligibility)
- Scott Lynch (2nd year of eligibility)
From http://www.denvention.org/hugos and http://www.thehugoawards.org/?page_id=2
Wednesday, March 19, 2008
Diggin' Poetry with the Rest of You
Lately several of my favorite bloggers have posted about poetry. I generally tell people I don't like poetry--I got burned out on it in my long-ago years as an English major in college. I don't read it as a leisure activity. Yet at times of high emotion or tragedy, I've found myself writing poetry. Poetry is the highest expression of the art of language, and good poets are the most skillful users of language. Perhaps at times that have intense meaning for us, we need to express ourselves within the discipline of poetry.
I recall several poems from my college years. My all-time favorite is "Dover Beach" by Matthew Arnold, which I reproduce here. (It's long out of copyright because Arnold died 120 years ago.) It's easy to find on the Internet; I got it from http://www.bartleby.com/42/705.html.
Dover Beach
by Matthew Arnold (1822–1888)
The sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits;—on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand.
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
I recall several poems from my college years. My all-time favorite is "Dover Beach" by Matthew Arnold, which I reproduce here. (It's long out of copyright because Arnold died 120 years ago.) It's easy to find on the Internet; I got it from http://www.bartleby.com/42/705.html.
Dover Beach
by Matthew Arnold (1822–1888)
The sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits;—on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanch’d land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand.
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Labels:
Creativity,
Poetry,
Reading,
Writing
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